| MUSIC |
MUSIC 1 | MUSIC 3 | MUSIC 4 | MUSIC 5AD | MUSIC 6 | MUSIC 9AD | MUSIC 10AD | MUSIC 30 | MUSIC 30A
MUSIC 30B | MUSIC 32 | MUSIC 33B | MUSIC 35 | MUSIC 40 | MUSIC 47AD | MUSIC 51A | MUSIC 51B | MUSIC 51C | MUSIC 51D
MUSIC 60AD | MUSIC 61AD | MUSIC 68AD | MUSIC 89 | MUSIC 94 | MUSIC 95 | MUSIC 96AD
Course Information: Music Theory 1 is designed for music majors, but is open to non-majors with musical performance experience. This course covers the following topics through analysis and application of compositional practices of pieces from the common-practice period: diatonic harmony, primary and secondary triads, non-harmonic tones, dominant seventh chords, four-part writing, and figured bass.
MUSIC 1 · Music Theory
Instructor: Dr. Peter Knapp
Course Information: Music Theory 2 is designed for music majors, but is open to non-majors with musical performance experience. This course covers the following topics through analysis and application of compositional practices of pieces from the common-practice period: dominant sevenths, other sevenths, secondary functions, modulation, small forms, mixture, Neapolitans, and augmented 6th chords.
MUSIC 3 · Counterpoint
Instructor: Dr. Peter Knapp
Course Information: Counterpoint techniques of the 18th Century, including species counterpoint, are covered.
MUSIC 4 · Music Theory III
Instructor: Dr. Peter Knapp
Course Information: Music Theory 4 is designed for music majors, but is open to non-majors with musical performance experience. This course covers the following topics through analysis and application of compositional practices of pieces from the common-practice period: enharmonic spellings and modulations, extended chords, more altered chords, common-tone diminished sevenths, late-Romantic techniques, serial techniques, set-class theory, and other 20th century techniques.
MUSIC 5AD · Musicianship 1
Instructor: Dr. Peter Knapp
Course Information: Covers the techniques of musical dictation and sight-singing with basic, tonal materials. Topics covered are scales, intervals, basic chord structures, and harmonic-melodic-rhythmic dictation.
MUSIC 6 · Introduction to Music Theory
Instructor: Brian Hamilton
Course Information : Students will gain a basic understanding of the fundamentals of music and its theory including studies in: rhythm, pitch, scales, intervals, key signatures, triads, tonality, and ear training.
MUSIC 9AD · Musicianship II
Instructor: Dr. Peter Knapp
Course Information: This course covers the techniques of musical dictation and sight-singing with intermediate, tonal materials. Topics covered are intermediate scales, intervals, chord structures, and harmonic-melodic-rhythmic dictation.
MUSIC 10AD · Musicianship III
Instructor: Dr. Peter Knapp
Course Information: This course covers the techniques of musical dictation and sight-singing with advanced, tonal materials. Topics covered are advanced scales, intervals, chord structures, and harmonic-melodic-rhythmic dictation.
MUSIC 30 • Antiquity to 1800
Instructor: Marshall Fulbright
Course Information: Music 30A is a survey of music history and literature from antiquity to 1750, including cultural, intellectual and social influences. This course provides an in-depth look at the development of Western European music. Transfer Status: Transferable to UC/CSU, see counselor for limitations.
MUSIC 30A · Music History
Instructor: Dr. Peter Knapp
Course Information: Music 30A is a survey of music history and literature from antiquity to 1750, including cultural, intellectual and social influences. This course provides an in-depth look at the development of Western European music. Offered Fall semester only.
MUSIC 30A · Music History (Ancient to Baroque)
Instructor: Dr. Peter Knapp
Course Information: A survey of music history and literature from antiquity to 1800, including cultural, intellectual and social influences. Ability to read music helpful, but not necessary. Fulfills humantities requirement.
MUSIC 30B · Music History
Instructor: Marshall Fulbright
MUSIC 30B · Music History
Instructor: Dr. Peter Knapp
Course Information: Music 30B is a survey of music history and literature from 1750 to the present, including cultural, intellectual and social influences. This course provides an in-depth look at the development of Western European music. Offered Spring semester only.
MUSIC 32 · History of Jazz
Instructor: Jim Simmons
MUSIC 33B · Intercultural Music of Latin America
Instructor: Enrique Rios-Ellis
Syllabus: Word • RTF • PDF
MUSIC 35 · Music of Multicultural America
Instructor: Enrique Rios-Ellis
Syllabus: Word • RTF • PDF
MUSIC 40 · Music Appreciation
Instructor: Dr. Peter Knapp
Course Information: A broad approach to musical literature and its place in the cultural development of Western civilization. Designed for the non-major.
Music 40 · Appreciation of Music
Instructor: Marshall Fulbright
Course Information: A broad approach to musical literature and its place in the cultural development of Western civilization. This class is designed for a person who has no background in music and desires three (3) transferable units in Humanities. The units will transfer to any four-year institution.
MUSIC 47AD · Wind Ensemble
Instructor: B. Hamilton
Course Information: A performance organization which seeks out, prepares and performs wind band literature from all periods and musical styles. While all repertoire is considered, the majority of music performed is somewhat more traditional in nature and tends to be focused more on mainstream 20th Century literature composed and transcribed for wind and percussion instruments.
The LBCC Wind Ensemble performs two times a semester, along with traveling on its annual tour. Previous tours have included performing at San Francisco's Union Square, Mammoth Lake, Lake Tahoe, Sacramento, Edwards Air Force Base, and various clinics and conerts at both public and private institutions. In the Spring 2001 tour the Wind Ensemble is planning to embark on a cruise to Ensenada. The Wind Ensemble meets on Mondays and Wednesdays from 1:00pm - 3:00pm.
MUSIC 61AD · Music Mastering
Instructor: Nancy Allen
Course Information: Music Mastering is the final step in the audio production process which prepares the project for manufacturing/ duplication. In this course, you will learn analog and digital editing, EQing, use of compression, applying musicality, 2-mix storage and submission formats, and duplication formats as they apply to the mastering phase of production.
Enrollment in Music 61, Music Mastering, requires successful completion of Music 94, Beginning Recording Techniques.
Music 51A · Beginning Piano I
Instructor: Timothy Durkovic
Course Information: Students are introduced to keyboard skills. Basic technique, major and minor five finger patterns, major scales, sight reading and chord progressions are encountered in beginning piano music.
Music 51B · Beginning Piano II
Instructor: Timothy Durkovic
Course Information: Students refine and develop beginning keyboard skills. Piano technique, major scales and arpeggios, sight-reading, chord progressions and harmonization skills are encountered in upper-beginning/early intermediate piano music.
Music 51C· Intermediate Piano I
Instructor: Timothy Durkovic
Course Information: In this course, students refine and develop beginning keyboard skills. Piano technique, major and minor scales and arpeggios, sight-reading, expanded chord progressions and harmonization skills are encountered in intermediate piano music.
Music 51D· Intermediate Piano II
Instructor: Timothy Durkovic
Course Information: In this course, students refine and develop intermediate keyboard skills. Piano technique, harmonization techniques, ensemble skills, and stylistic considerations are encountered in upper-intermediate piano repertoire.
MUSIC 60AD · PRO TOOLS - BEGINNING
Instructor: Charles Gutierrez
Syllabus: RTF
MUSIC 61AD · MUSIC MASTERING TECHNIQUES
Instructor: Charles Gutierrez
Syllabus: PDF • RTF
MUSIC 68AD · BASIC AUDIO THEORY
Instructor: Charles Gutierrez
Syllabus: PDF • RTF
MUSIC 89 • History of Rock
Instructor: Nathan Bush
MUSIC 94 · BEGINNING RECORDING TECHNIQUES
Instructor: Nancy Allen
Course Information: Beginning Recording Techniques is a hands-on training program..... after all, you can't learn to swim without going in the water. We offer a full complement of equipment for preparing your required projects, but if you already have a home studio, that's great.... this class will teach you to navigate your way around that too. The goal is to prepare you for a career in Audio.
MUSIC 95 · Intermediate Recording Techniques
Instructor: Nancy Allen
Course Information: In Intermediate Recording Techniques, we take the information learned in Music 94 [Beginning Recording Techniques] and apply it in a studio session environment, focusing on the use of modular studio components, use of microphones and micing techniques, and the development of studio communication techniques.
In order to take Music 95, Intermediate Recording Techniques, students must successfully complete Music 94, Beginning Recording Techniques.
MUSIC 95 · INTERMEDIATE RECORDING TECHNIQUES
Instructor: Charles Gutierrez
Syllabus: PDF • RTF
MUSIC 96AD · ADVANCED RECORDING TECHNIQUES
Instructor: Charles Gutierrez
Syllabus: PDF • RTF
